From the pages of The New Yorker magazine:
I) "Yoko Ono's Art of Defiance," Louis Menand (June 20, 2022). "Before she met John Lennon, she was a significant figure in avant-garde circles and had created a masterpiece of conceptual art. Did celebrity deprive her of her due as an artist?"
II) "A Hamlet for Our Time," Rebecca Mead (June 13, 2022): "In the play, the Prince’s dead father reappears as a ghost, but Lawther and Icke were contending with ghosts of their own: the accumulated legacies of performers, directors, critics, and other interpreters who have played Hamlet, or seen 'Hamlet.' In other words: How not to be Hamlet?"
